Vintage and antique obi (the wide sashes tied around Japanese traditional dress called kimono) abound at shrine sales and markets. Most purchasers plan on wearing them. Others buy them just for the beauty of the textiles as they are most commonly made of silk, cotton or rayon and use many different weaving and dyeing techniques from brocade to ikat. Still others see the decorative possibilities in these long strips of fabric.
Note the obi fabric pillow on the small red banquette in Cecil Beaton’s London townhouse living room, photographed for Architectural Digest circa 1969.
While women’s obi have long been collected and made into throw pillows, table runners and the like, men’s obi, called kaku-obi, are not seen in interior design. I have long thought that their narrow shape, stiff feel, and simple graphic patterns would make them useful for some other purpose. But what? Today, at the Oedo Antique Fair, they caught my eye at a number of booths.
How they are tied was a mystery to me, and frankly, the dealer selling them did not know either. In classic Japan style, another customer overheared our discussion, and offered to teach me how. The dealer’s partner served as the model and I got a great lesson on how to tie kaku-obi.
My somewhat credible (according to them) second attempt.
Thanks ladies! They also had great kimono and indigo dyed fabrics.
A charming detail found on some of the best curtains is a contrasting leading edge or decorative tape. Two wildly different style rooms below illustrate this design. Both make use of a greek key tape on the curtain edge and, in the case of the Miles Redd dining room, on the bottom edge as well.
Don’t you think one of the simple two tone kaku-obi would be perfect to edge a curtain? Trim a bedskirt or a chair? Finish off a valence?