Artist Spotlight

Artist Spotlight…Pip Hoy’s Resilience

“For me, painting is a vehicle to communicate with color, while collage is a vehicle to communicate ideas.”
-Pip Hoy

  Into the Light Pip Hoy Resilience is Australian born-Doha based artist Pip Hoy’s own personal pilgrimage along an artistic path that started four years ago, culminating in this, her first solo show. Opening night is this Wednesday, October 15 from 6-8pm at the Grand Hyatt Doha, by invitation only, but her work will be on display until January 2015.

Encompassing her earlier painting work with dots, dashes and grids, such as the spectacular Into the Light above, Resilience also introduces new work that meditates on the overlapping of circles. Pieces such as Corrugated II  demonstrate her masterly layering of texture and pattern.

Corrugated II Pip Hoy Inspired by the nazar, the eye shaped amulet which protects against the evil eye, these works had been percolating for some time, but it took her intuitive eye for color and her hand mixed palettes to get them right.

Nazar evil eye Working with acrylics on canvas, Pip meticulously plans her colors before starting each painting as the relationship between the pigments is so much of the storyline. I can’t resist showing you a sneak peek of one the newest nazar pieces in the exhibit, Paint a Rumour.

Paint a Rumour palette Pip Hoy

Pip’s crescent moon collages are a play on the nature of communication through abstract observation of daily life in the Middle East. Using pages in Arabic from regional publications, Pip creates collages around a theme, even though she is actually unable to read the words and stories she is working from. The irony of context is such that words themselves can be beautiful and painless when not understood, just as they also have the power to wound when they are.

Arabian Beauty Pip Hoy Many of her paintings are extremely large scale, making for powerful decorative statements. Readers may have already seen glimpses of her 2012 work Sway which holds sway over our dining and living room here in Doha.

friday flowers pip hoy sway Pip’s use of recognizable Islamic motifs, in this case the crescent moon and the nazar, mixed with modern color palettes and mixed media materials lends a contemporary twist on ancient symbols as seen through western eyes. Resilience is a celebration of achievement and renewal with powerful emblems of physical and spiritual healing.

All artwork images copyrighted by Pip Hoy. Please do not re-post without writing to me for permission. Thank you. Pile of nazars photo via Kay McGowan here. All other photos my own.

La Vie Est Belle…Paris in Instagrams

photo

It’s been 15 years almost to the day since I was last in Paris, undoubtably my favorite city in the world. I can’t say if it is the beauty of the Haussmann designed neighborhoods, the variety of world-class and intimate museums, the incredible shopping, in particular the antiques, or simply the butter and the croissants. It just doesn’t matter. Even when gray and rainy, life is beautiful in Paris. While my husband had long been in agreement with me, my girls had only fantasized about Paris and I was looking forward to sharing it with them. I wanted to be sure to do Paris right, because it can be done wrong – endless lines, endless tramping through museums coupled with bad cafe food. The key to doing Paris well with kids (and by default other cities too) is to break things down into small pieces, small tastes and acknowledge that only what is directly interesting in that moment needs to be experienced. Find the sublime, because it is out there.

Obviously museums are the baguette and butter of a trip to Paris. Some of the greatest hits should not be missed including Monet’s masterpiece Les Nymphéas at Musee de l’Orangerie, Winged Victory at the Louvre, and for my girls, Degas’ Blue Dancers at the Musée d’Orsay. But we arrived at l’Orangerie at opening to view the space empty and only went to the Louvre during the relatively uncrowded evening hours – it is open until 9:45 Wednesday and Friday – which made all the difference. Beyond the biggies are some magical places – the Musée Rodin Museum, Le Petit Palais, The Musée Jacquemart-André to name a few – but those are the ones that appeal to me. There are endless choices, but but be sure to pick only a few.

orangerie louvre dorsay museums

Ironically enough, at the moment I was uploading what I though was a very funny selfie of us crammed in at the Mona Lisa (with the actually much more interesting The Wedding Feast at Cana directly behind us), The New York Times was publishing its own version of the photo as a companion to their article “The Art of Slowing Down in a Museum” which makes a strong case for doing just what we did.

view at the louvre nytimes

My small but very exciting moment was seeing Jaques-Louis David’s unfinished portrait of Madame Récamier (although I was probably supposed to be looking at the gargantuan The Coronation of Napoleon in Notre Dame across the room). You all know I am a sucker for a daybed of any type, but I’ve never been lucky enough to have one named for me. And in one of those moments of synchronicity that could only happen at the Louvre (or perhaps the Met), we stumbled across her actual chaise made by Jacob Frères.

Madame_Récamier_by_Jacques-Louis_David and her recamier by Jacob Freres in the Louvre

As the ballet obsession continues unabated in our house, a trip to the Palais Garnier was called for. Alas, there were no performances to be had during our visit, but the tour of the opulent and over the top Beaux-Arts theater did not disappoint. To make the space more digestible we focussed on the ornate ceilings.

opera palais garnier ceilings

Autumn had not quite yet come to Paris, but after a couple of months in the desert we were bewitched by the green and eager to be outside. We did a bike tour, a boat ride and played HintHunt, which has nothing at all to do with Paris, but trust me, if you are traveling with bigger kids its is one of the most enjoyable hours they will have.

tuilleries green

We had numerous memorable meals and one particularly magical night at Chez Julien just over the Ile St. Louis bridge on the right bank. My husband and I had eaten there 20 years ago and never forgot the prettiest Belle Époque interior. There happened to be a small wedding party – just 4 people – there that night and the candlelight and mirrors combined with her dress and headpiece made us feel as if we were in a Degas painting.

chez julien and degas

Where’s the shopping, you may be asking yourself? I did, of course, mention antiques. But that needs a Paris puces post of it own, later this week.

On another note, I forgot to announce the winner of Frederick Harris’s book Ukiyo-e: The Art of the Japanese Print, although I did notify the winners in Singapore and Israel. One of the most enjoyable things about the giveaway was seeing the truly global span of my readership. 

Artist Spotlight and a Giveaway…Ukiyo-e: The Art of the Japanese Print

UKIYO-E

I’ve been down and out with a bit of a stomach bug the last few days but luckily I’ve had Frederick Harris’s book Ukiyo-e: The Art of the Japanese Print which has been eminently digestible. Harris was a fifty year plus veteran of life in Japan, having come there after serving in the Korean War and staying on to pursue his artistic ambitions. I was lucky enough to know him through the Tokyo American Club before he passed away in 2010.

Ukiyo-e, traditional Japanese prints, have existed since before the 17th century but truly flowered during the Edo period (1603-1868). They were mass-produced and created for mass-consumption by the common man – in effect the postcards and the Instagrams of the day. A four-part team of artist, carver, printer and publisher worked together to produce these images of ‘the floating world’ – impermanent places of pleasure. Geisha and courtesans, kabuki actors and sumo wrestlers, were all common subjects, along with landscape series, flora and fauna and the more unusual shunga (erotic prints) and Yokohama-e (prints with foreigners). Illustrated with only the choicest selections, Harris’s book arranges them by subject rather than chronology or artist, breaking down what can be a very confusing area of work, and highlighting the key issues and players.

He neatly spells out the three great H’s of Japanese scenic prints, Hokusai, Hiroshige and Hasui, spanning a 100 year period. I was not that familiar with Hokusai’s waterfall series which while not as famous as his Mount Fuji series, Harris believed to be his masterpieces. “They are the most contemporary of all his compositions, embracing abstract qualities that do not appear in world art until the twentieth century.” I think he has a point there! Harris highlights the dynamism of what is – in theory – a landscape print by Hiroshige by wondering where the viewer would actually have to be standing to view this Boy’s Day carp streamer. And in Hasui’s shin hanga print, designed to appeal to a Western customer, with its romantic and nostalgic views of Japan, we see a level of craftsmanship and emotional content not seen before. To really appreciate the details, be sure to click and enlarge the images.

Hokusai Hiroshige Hasui

(1) Katsushika HOKUSAI, Kirifuri Waterfall at Mount Kurokami in Shimotsuke Province, c. 1832, (2) Utagawa HIROSHIGE, Sudo bridge and Surugadai, from One Hundred Famous Views of Edo, 1856-58, (3) Kawase HASUI, Snow at Mukojima 1931

Harris is sure to include a chapter on ukiyo-e books, an area that is both dear to my heart and often overlooked. From simple but powerful sumi ink illustrations by the ‘father” of ukiyo-e, Hishikawa Moronobu, in the 1650s to delicate asymmetrical compositions from Watanabe Seitei influenced by European paintings after the turn of the 20th century, Harris’s book is full of numerous rare images from the author’s collection.

(1) Hishikawa MORONOBU, Lovers on the Veranda, c.1650, (2) Watanabe SEITEI, Seitei Kacho Gofu (Seitei's Bird and Flower Album) 1916

(1) Hishikawa MORONOBU, Lovers on the Veranda, c.1650, (2) Watanabe SEITEI, Seitei Kacho Gofu (Seitei’s Bird and Flower Album) 1916

The final chapter is on Yokohama-e, prints about foreigners in Japan and the way in which Japanese artists imagined and portrayed them. Other than the Dutch, who were kept at far arms length, Japan was effectively closed to foreigners from the 1630s until the mid 19th century, until Commodore Perry and the Treaty of Kanagawa forced the opening of the country to outsiders. By far the most interesting image for me in this chapter is Utagawa Yoshitora’s Trial Balloon Launch at the Naval Academy Training Ground at Tsukiji from 1870. Normally a triptych (three sheet print image) I have cropped it to two for a bit of comparison. In it we see a few Western women, in quite accurate dress for 1870, watching the launch of an exciting technical invention new to Japan – the hot air balloon.

Yoshitora Trial Balloon Launch at the Naval Academy Training Ground at Tsukiji

Utagawa YOSHITORA, Trial Balloon Launch at the Naval Academy Training Ground at Tsukiji, 1870

Besides being fascinated by this era in Japanese history and the cross-fertilization happening, I have also had the luck to have seen and held two of the three panels of this print in my hands. Take a few moments to really examine and compare these photos and see if you can find the fascinating major differences, besides some of the obvious coloring in the dresses, between them.

Yoshitoa Trial Balloon Launch at the Naval Academy

These images give you a real sense of the complexity of learning about and collecting ukiyo-e as many of the most popular prints went through multiple printings and sometimes continue to be printed today. Harris makes excellent points about getting educated and using your eye and common sense when buying. Remember, if it is in absolute perfect condition and a bargain, most likely it’s a modern-day reprint.

So? What did you spot? Did you notice how all the flags on the balloons were changed from Japanese flags to American flags? According to Wikipedia, the Japanese officially decreed the Nisshōki or Hinomaru (sun flag) as the national emblem in 1870, although it was already accepted as the de facto flag of Japan. The print itself is from 1870, which makes the timing quite interesting. In all the other examples of this print in museum collections around the world, the flags are American as in my example. Harris’s example is courtesy of the Mita Arts Gallery, a very respected ukiyo-e gallery in Japan. I may have to write to them and see if they have more information. What else?  The seals and stamps are quite different – if anyone’s Japanese is good enough to shed some light on them it would be very appreciated. Other small details include the stairs and walkway in the lawn in the background and the gazebo shape in the trees. I’m sure my eagle-eyed readers will spot many more!

Now on to the good part – the GIVEAWAY!! Tuttle Publishing has kindly offered 2 copies of Ukiyo-e: The Art of the Japanese Print for me to offer to my readers. They will send them anywhere in the world, so everyone can enter. All you need to do is comment on this post, ideally after visiting Tuttle Publishing online and taking a look at their outstanding offerings in Art, Architecture & Design, with a real focus on Asia, and telling me what other books you’d like to see me discuss (and possibly have available for future giveaways :-))

The giveaway closes a week from tomorrow on Friday, September 19 at midnight EST. Winners will be announced the following week.

Related Posts:
Hanga 101…a Quick Primer on Japanese Prints
An Artistic Reflection…The 1860 Japanese Envoy to America and Yokohama-e
Artist Spotlight…Van Gogh: The Adventure of Becoming an Artist
Artist Spotlight…Dancers, Degas and the Demi-Monde in Yokohama
Japanesque: The Japanese Print in the Era of Impressionism
Battledores and Badminton…A History Of Hanetsuki Through Ukiyo-e
Artist Spotlight…58th CWAJ Print Show

Great.ly…Connecting the Dots for Makers & Tastemakers

great.ly front page

So in addition to a brand new blog design, this week holds some other big news about an exciting new project I am involved in. Today is launch day for Great.ly, a brand new e-commerce site designed to put tastemakers together with makers and create a platform for them to market and sell work. As my long time readers know, one of my missions has always been to showcase and support artists and artisans and their creations so I am so excited to be one of the initial 50 tastemakers on the new Great.ly site. I have been busy curating my online boutiques which you can get to by clicking this link or using the Great.ly button on the side bar. You’ll find work from familiar faces as well as new ones.

No surprise at all to see George of papergluebamboo there. As I hinted in my last post, she has been busy creating new colorways and patterns for her modern ikkanbari and Japanese shopping baskets to sell on Great.ly. From bright yellow lucky gourds…

ikkanbari papergluebamboo yellow gourd tray

…to absolutely on trend African motifs

African pods papergluebamboo ikkanbari

…to ume (plum blossom) and ichimatsu (checks) in bright new colors on Tsukiji market shopping baskets, her unique line of homewares and carryalls is spectacular. To read more about her modern take on this ancient craft, take a look here and here. Remember, every piece is one of a kind, so shop the boutique here early!

papergluebamboo ume shopping baskets

Another long time Tokyo Jinja favorite is the gorgeous handmade textiles of LuRu Home based out of Shanghai, China. Liza and Claire are working with modern versions of nankeen, a dense hand-woven cotton fabric which has been stencilled and dyed in an indigo bath. With their beautiful products, all made from the custom hand dyed fabric in updated versions of traditional Chinese patterns, they are taking up the banner of preservation of this ancient form of craft, while innovating at the same time.

LuRU Home indigo pillows
luru slideshow_8

Their blue and white textiles bring a sense of cool to my very hot – both literally and colorfully – backyard here in Doha. They also play very well with pillows in other colors and textures. Be sure to click here to read their full story and see the pillows in action and here to shop the boutique.

Luru Home pillows

One of the most exciting aspects of Great.ly for me is getting to know new makers with interests and aesthetics that align with my own. Link Collective produces contemporary furoshiki (Japanese wrapping cloths) through a network of artists and designers from around the world. They “aim to cross cultures and generations by creating beautiful and functional products, merging international design with traditional Japanese production methods.” Their modern furoshiki with whimsical names such as Mountain Blossom or The Hida Express can be used for their traditional wrapping purpose, be worn as a scarf…

FUROSHIKI

…or be converted to a cross body bag with their ingenious strap. Seems like a ‘must have’ item for a good textile junkie, creating the possibility of a purse from any piece of cloth.

DOTS FUROSHIKI BAG (BLACK) & BLACK LEATHER CARRY STRAP SET link

Their furoshiki are all made in Fujisawa, Japan, hand-printed and sewn by a family owned business with over 50 years experience in furoshiki production. Although Japan’s craftsmen often spend a lifetime perfecting their artistry, much of that skill and knowledge is being lost as today’s mass production, cost cutting and on-demand culture drives ever more business decisions. Invaluable knowhow is disappearing as tools are put down, and the last small factories and workshops die out. Like LuRu Home in China, they are playing a part in keeping these crafts alive by showing what can be achieved when creativity and craftsmanship come together.

story_printing

For toting your heavier items, I am loving the work of the Tacoma, Washington-based duo Jacqui and Scott of Year Round Co. They hand make every bag themselves, from cutting each piece of fabric, to designing and screen printing it, then sewing and applying all the leather and hardware in their home studio. For a glimpse into their workshop this great video really demonstrates the artisanal quality of their products. Their collection is inspired by stormy seas, mossy rocks, and earthy travels.

Year Round Co

And as you all know from my past ten years of deep involvement with hanga, modern Japanese prints, I have long been a champion of works on paperWorks on paper, about paper, using paper, are some of the most affordable and charming artwork to be had. I am just beginning to explore some of the talent on Great.ly, so be sure to keep watch on this boutique as I add items in the coming weeks.

art collage

In clockwise order: Gretchen Kelly Rosy Mist on the Hudson, watercolor, Shelley Kommers Blue Diamonds, Print, Candy Le Sueur Silver Flower, monotype, Shelly Kommers Sparrow, mixed media collage

To quote one of the new artists I am just getting to know, Shelley Kommers, “I am always on the lookout for beauty, and I find it everywhere: in the decayed, the imperfect, and the ironic; in the small, tucked away places no one else looks.” I’d like to adopt that as my personal mantra.

So come on over and check it out. Just click here and start exploring. There are many other makers and categories I don’t have room to mention here. I think you’ll like what you find. To be honest, there are still quite a few kinks to work out, so please be patient and let me know if you are having any trouble making a purchase. Be sure to keep coming back as I will be adding to my boutiques regularly.
And if you are a maker or know someone else who is, looking for an outlet to sell and show your work, please contact me, either by leaving a comment on the post or via email at jacquelinewein[at]yahoo.com. Maybe Great.ly and I are just what you are looking for!

 

A New Look for Tokyo Jinja

My dear readers, I’ll assume you already know what this post is all about, as you are looking right at it. If you are an email subscriber, please be sure to click into the post and view it on your browser. Welcome to the new Tokyo Jinja, which is the same as it ever was, but all wrapped in a brand new package. It’s been a very long time coming and I know I have talked about it before, but the redesign turned into a slow journey I couldn’t have made on my own. I could not be more excited to be shedding the skin of my old dated blog format!

Setting out to convey a bit of where I have been, coupled with where I am now, I am so lucky to have two wonderful artist friends, one steeped in the motifs and designs in Japan, the other new to the desert here in Doha and willing to embrace it. George of papergluebamboo can paint karakusa, the scrolling arabesque vine pattern found on Japanese decorative arts and dear to both our hearts, like no one else. How proper and perfect then that she painted the blue and white karakusa pattern for my new banner.

George Fukuda papergluebamboo

George has been hard at work for an exciting new project we are both involved in – you’ll be hearing about that in my very next post – on some fresh new colorways for her ikkanbari and Japanese shopping baskets.

papergluebamboo shopping basket lime ume

Isabelle Caraës, a French artist and illustrator, is a new friend here in Doha. She creates beautiful finely drawn images and is masterful at their digital manipulation. How proper and perfect that she created the Islamic arabesque pattern found in the mashrabiya, the lattice-work screens, seen all over Qatar and The Middle East. I am just obsessed with them and have mentioned them briefly here and here, but there is sure to be a full post on them soon. You’ve also seen a glimpse of her fantastic house and some of her small works here.

Isabelle Fromaget

L’arbre, a new mixed media piece, digitally arranged, is a perfect example of her whimsical work.

l'arbre Isabelle Caraes

So not to make too much of it, but I love the way the banner is symbolic of my experiences, my friendships and my life over the past ten years.

Saraswati Venkatram, better known as Saras, of SV3 Designs has been an outstanding Web Master, professional and impossibly quick to deliver. She transferred my 326 posts (!!!) and thousands of comments over from my old blog format without losing a letter and was invaluable help in the design process. The new format has larger and wider photos, simpler navigation and offers options for the future.

Now for some technical notes…I’d say we are about 85-90% finished so don’t be surprised if you notice little tweaks over the next few weeks. Please let me know if you notice any problems, glitches or have any constructive comments. If you are an email follower, hopefully your subscription has transferred over. If you are a follower via WordPress.com, I think you will need to resubscribe, but I am not entirely sure. I am really looking forward to hearing from you all and hope that you like this new and improved Tokyo Jinja reading experience.

And for a last goodbye to that street scene at the Saturday market in Azabu Juban…

Tokyo Jinja old blog format azabu juban

I’ll also have some other very exciting news coming out on Thursday, so be sure to keep your eyes open for my next post.

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