Sonoma Bookcase

Is It Copy Cat Chic? Or Is It Just Copying?

Lately the design press has been full of incredibly liveable eclectic spaces, none more so than this NYC apartment designed by formerly rising star – now arrived – Nick Olsen that was just featured in the August World Of Interiors. What caught my eye were the mass market bookshelves, the very same Ballard Designs Sonoma Bookcases I have in the TV room here at the shore.

Positioned on either side of the fireplace, they are beautifully arranged by color, but have a natural well-used character to them and not that overly styled look I am not a fan of.

I looked pretty closely at them because back when I got my Sonoma bookcase (on the left), I hadn’t realized that Mecox had their own version, the Provence Open Shelf Baker’s Rack (on the right) priced about 4 times higher – $499 versus $1995. Now ironically, the real Copy Cat Chic blog holds up the Ballard Designs Sonoma Bookcase as the expensive option, comparing it to lower priced similar versions from Overstock and the like. So it becomes a copy cat spiral from high to medium to low to lower.

I look back at this NY brownstone that Nate Berkus designed for Katie Lee, Billy Joel’s ex-wife, having assumed he used the Ballard Designs version, only to come to the conclusion that these look more like the Mecox Garden variety. So my question for you is whether this is such a classic vintage inspired shape, produced by many, or is it a copy of something original?

The bookcase has been on my mind because yesterday saw the installation of my long-awaited curtains in the TV room and I’ve been wondering if I should shift my bookcase over a bit.

As my long-term readers will know, I had been hemming and hawing over pulling the trigger and purchasing this Brigitte Singh Cream Hibiscus Branch fabric – choosing between it and its companion Hibiscus Flower Buta – until I almost missed out and was only able to get the final few meters available from Aleta Online last year. Luckily, my ingenious seamstress and I were able to come up with a plan to “stretch” the fabric, using a matching linen and framing the panels in such a way that I actually prefer it to just having used the one fabric.

Since buying my fabric over a year ago, I have become addicted to a fairly new online site called Jaypore, which is a bit like an Indian version of One Kings Lane and the other limited sales time sites. The prices are fabulous, many of the goods are really lovely and the shipping is free. One of the items that caught my eye was this bed sheet, which costs all of $35 and is 60″ x 90″, basically 3 meters long. That’s a lot of yardage for $35! In the right space you could line it to make very inexpensive curtains. I may cut it up to make Euro shams for my elder daughter’s new bedroom decor in Doha. Either way, it was a fabric bargain.

But the truth is that it is the Brigitte Singh Hibiscus Flower Buta pattern exactly – no bones about it – if you look below. Now what I don’t know and would love to, is whether these patterns are so traditional that they have entered into the cultural lexicon, or whether it is a unique design that has been copied, again a similar question to the one above. When I think back to the block print flower I used on the walls in my bathroom, I do know I have seen that particular flower pattern before and that there were multiples of the block available for purchase at the shop in Singapore. I think I’ll have to write to Aleta and ask her.

So how do you feel about copy cat chic? It’s a complex question as it addresses everything from income divides to intellectual property rights. I’d love to hear from you on the topic.

On a lighter note, for more on the Nick Olsen project, including this boldly colored dining room with its ship chandelier, head over to Mark D. Sikes.

And there is so much of this rich teal and blue going around these days, that I may have to revisit it in yet another post!

Addendum added August 15, 2013

I heard from Aleta and wanted to share her personal thoughts with you.

I just snuck a peek over at your blog and read your post on the Jaypore site and the ‘copycat’ issue, and as it’s quite an emotive subject with Brigitte Singh, who is the creator of your Cream Hibiscus fabric, I thought I should share a little more information as well as my own personal view on this very hotly debated topic.

From the beginning, Brigitte has always worked with the ancient motifs and floral designs of Mughal India to create her textiles. In some cases, her prints are faithful reproductions of historic textiles, using the ancient and traditional method of block printing to produce them. I don’t think Brigitte herself would ever suggest that she should have the exclusive right to print Mughal designs, but that is often how her point of view is interpreted by critics. In fact, where a design is taken directly from an archive reference, it is already often produced, quite legitimately, by other manufacturers -the Cream Pise, for example, is also made by Bennison in England, and Green Antelope by Caravane in France. I myself reproduce Mughal designs quite independently of Brigitte when it’s appropriate to do so.

The general argument for ‘copying’ is that the designs belong in the public domain as Brigitte’s original inspirations were sourced from designs that belong to no one, but the situation is more complicated than that.

Some prints like the Poppy, Cypress, and your Hibiscus have also been derived from historic textile pieces, but over the years Brigitte has refined the lines, changed leaves, colours, and subtly ‘tweaked’ the designs. This is when the issue becomes quite a grey area: Brigitte’s own printing blocks in the past have been stolen, these in turn have been recarved and recarved, and several ‘generations’ of printing blocks on, what you see being produced by some block printers in India are not reproduction Mughal prints, but reproduction ‘Brigitte Singhs’. Her printing blocks have also been used by the printers, without permission, to print for other companies.

Brigitte has built her reputation on two things: first, the quality of her textiles is completely and utterly unrivalled. This includes the printing process itself, from the skill of the block carving, to the fineness, accuracy and complexity of the actual printing; it includes the quality of the cottons and hand woven khadi that she uses to print on; finally, it includes the haute couture tailoring and exquisite attention to detail in her soft furnishing pieces and garments.

Second, the way that she puts together the disparate parts of various ancient designs -combination of borders, the layout and scale of motifs, and in particular her amazing use of colour, has created a very distinctive and instantly recognisable trademark. This is very personal to her, it has come from her own unique heart and soul, and it cannot be created by anyone else.

I would have no qualms about seeing or even purchasing the same print as one of Brigitte’s if I know that the original source of inspiration came directly from a historic textile piece (the exception to this is the Poppy, but I am irrationally protective about it because it was her very first and is still hugely popular), however I am concerned when I see her very particular combination of designs and colours being reproduced, often randomly and of poor quality, regardless of where Brigitte’s own original sources came from.

My personal feeling is that buying any ‘copy’ is ultimately a false economy -it will never compare in quality, or have the same sophistication, and it certainly won’t have provenance, although I try not to judge too harshly as I think we’ve all been guilty (if that’s even the right word) of it at one time or another. I do believe that you should always buy the best that you can afford -and if you can’t afford it, buy something different that you can afford and doesn’t compromise on quality. It is far better, creative, and honest to forge your own individual look based on the budget and lifestyle you have, rather than try to emulate someone else’s, possibly unattainable, style. But I’m starting to stray into social discussions far deeper than copyright! I’ll leave it there, and I hope I’ve provided some insight and not just gone on a long ramble. 🙂

Aug 8, 2013 By tokyojinja in Books, Movies & TV, Furniture, Interior Design, Renovation and Decoration Report, Textiles Tags: Aleta Online, Ballard Designs, Brigitte Singh, Copy Cat Chic, curtains, Jaypore, Mecox, Nate Berkus, Nick Olsen, Sonoma Bookcase, Sonoma Bookshelf, The World of Interiors, window treatments

So Long Summer…Vignettes and Views Around the House

As always, a bittersweet moment as we depart one home for another. This post is really for me, to remind myself that while I didn’t do anywhere near as much work on the house as I’d planned, I did get some things accomplished in addition to finishing the bathroom (almost). And as I head back to Tokyo, I know I’ll need little reminders of our beach house goodness for sustenance.

First up, the Sonoma bookcase all filled up (mostly). I have never been as happy with a mass retailer/catalog item as I have been with this one from Ballard Designs. And I am not the only one liking it as yet again I have spotted a pair of them in a high-end design, this time the Nate Berkus designed brownstone for Katie Lee. They really are versatile and great value for the money.

My girls scoured the attic for my gardening books and we added a few other vintage wooden delivery boxes gleaned here and there. And I still cannot believe the way the television fits – as if it was custom made for it.

The bottom section has been filled out since my post on hiding all the cords and the electronic components are basically unnoticeable. I need a few more good coffee table size books which I may have to steal from my shelves in Tokyo this winter.

The top is filled with pretties, gardening books and good reads.

Added some special Japanese details to the downstairs bath, including fishing floats…

…and a big collection of kashigata that look like coral patterns on the ledge above the built-ins.

Didn’t hang any of my lovely Japanese hanga (modern woodblock prints) above the sideboard, but the longer they stayed leaning there, the more I liked them just like that. And I had planned to have the big wire basket full of dried hydrangeas by now, but no matter what I did, I failed on that front. If anyone out there knows the trick to drying them, please let me in on the secret!

I tried early in the summer and filled it with blooms, but they just shriveled and rotted – no drying! So sad, because they were so pretty!

Close-up you can see my $2.50 William Yeoward-esque decanter – garage sales were very very good to me this summer.

You’ll notice you never heard anything about the kitchen. The truth is that with kids and constant house guests the DIYs are hard to get to. But my palette of cream and white, with texture and mixed metals remains unchanged. Tried the water technique for drying hydrangeas too, but it didn’t work much better.

I always find the stained glass door in the dining room ironic, because I had already picked the color palette based in some part on my Aesthetic Movement transferware even before seeing it, and it could not have been more perfect. Most of the stained glass in houses around town is combinations of bright red, blue and yellow. Obviously this was my destiny house.

A few gifts and trips to the Ladies Auxiliary book sale filled out this little bookshelf at the top of the stairs. The larger artwork is a 19th century Japanese land contract that I bought for the equivalent of a dollar at the Tomioka Hachiman shrine sale and framed. Sharp eyes will recognize a few other Tokyo treasures.

Little girls grow up so fast…

…the bigger girls too. So luckily both of their rooms are close to complete.

The search for master bedroom night tables continues. I had seen some cute scalloped ones here and here, so I picked up this pair for $50, thinking I would paint them. But they are still too low and very blocky and square – the lamp on the stacked books looks cute for styling, but is actually like that for night time reading practicality. The only real decorating mistake of the summer.

More etched mirrors made their way to the wall…

…the Louis XVI-style oval from the bathroom has a great new spot, better suited than its old one, mimicking a favorite Charlotte Moss dresser and mirror combo. As for the lack of lampshades here and in other photos, still waiting on my custom ones after a year, but that is its own story. Just try to imagining one on this lamp made with green marbelized paper, meant to look like malachite…

…and the French chaise found its perfect fabric – a European style ikat from Lee Jofa called Lambelet Stripe, picked up here for a song.

Nothing big changed in the guest room, just a sweet little chair…

…and some sweet little welcoming details, like these vintage wooden shoe lasts and child’s slate.

And someone wrote to ask about the upstairs hall bath which I never mention, because it came to me pretty spot on. Just a coat or two of Farrow & Ball Chinese Blue and it was good to go! Maybe some artwork needed?

Well goodbye New Jersey summer! Hello Tokyo! I can hear the shrine sales beckoning…

Aug 26, 2012 By tokyojinja in Furniture, Interior Design, Renovation and Decoration Report Tags: Ballard Designs, bathroom, crystal, decorating, hydrangea, silver, Sonoma Bookcase, Sonoma Bookshelf

All Tied Up…Power Cord Bundling

OK, I actually wanted to call this post “I’m A Genius” but out of love my best friend wouldn’t let me. Do you know when you are so excited about the smallest accomplishment that you want to crow about it ridiculously? Home almost two weeks, I still feel sluggish and am beating myself up for not getting more done at the house. The truth is that the more you near completion, the harder it is to find and finish those details, as in, “will I ever have night tables in my bedroom?” because they need to be such a specific height and size and work with everything else in the room.

So my moment of joy comes from a good idea mixed with some luck. I am slowly organizing and styling the Sonoma bookcase in the TV room that I wrote about previously here. One conundrum concerned the cable box, DVD player, modem and the millions, yes millions, of cords that connect them all (which are even worse than they look here). As you can see in the photo below, even stacked one on the other, the components look skimpy and the cords are an eyesore. I had thought of hiding the players in a basket, but the remotes don’t work.

Yesterday I made the rounds at all my Point Pleasant antique shops and found this vintage delivery box, much like the one I featured here last year, but larger, at what I believe was the Summerhouse booth of Joanna Madden, who I wrote about here last summer. I forgot to take a photo of her display at Canvas House Antiques, but it was just what you might expect – peely paint furniture and glass bottles, lots of charm and patina. An idea of how to use the box was forming in my mind, but I wasn’t sure if it could be done. I stopped off at the local hardware store for some twist ties – no black, only green gardening ones which will have to do right now – and set to work.

Voila! How fabulous is this? The box was just the right size to sit the cable box on top of the open side. This gives the electronic components enough vertical lift that they fill the shelf space nicely (and keeps the “Fancy Print Butter” label right side up). Better yet, all the power cords have been bundled inside the box at the back. The ones stretching down from the TV have been tied to the iron X bar that supports the shelves – I’ll need to improve on those but I was in a hurry. I plan on disguising the modem on the shelf below with a storage basket on one side and some large books on the other, or perhaps I will stumble across some other fun and funky object.

I promise the whole bookcase soon. I just have to get to the Ladies Auxiliary Book Sale next week to beef up on my reading material!

Jun 27, 2012 By tokyojinja in DIY, Housewares, Interior Design Tags: Ballard Designs, Joanna Madden, Sonoma Bookcase, Sonoma Bookshelf, Summerhouse